Mon
24
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Wed
26
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Thu
27
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Fri
28
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Sat
29
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Sun
30
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Mon
01
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Wed
03
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Thu
04
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Fri
05
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
06
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
07
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
08
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
10
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
11
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
12
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
13
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
14
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
15
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
17
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
18
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
19
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
20
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
21
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
22
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
24
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
25
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
26
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
27
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
28
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
29
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
31
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
01
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
02
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
03
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
04
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
05
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
07
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
08
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
09
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
10
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
12
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
14
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
15
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
16
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
17
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
18
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
19
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
21
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
22
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
23
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
24
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
25
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
26
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
28
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
29
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
30
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
31
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
01
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
02
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
04
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
05
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
06
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
07
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
08
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
09
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
11
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
12
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
13
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
14
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
15
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
16
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
18
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
19
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
20
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
21
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
El público podrá visitar Liminal de Leandro Erlich y recorrer la exposición actual de la Colección Malba, con las obras maestras de arte latinoamericano que integran el acervo del museo. Para el cierre, Chancha Vía Circuito interpretará sonidos latinoamericanos en la explanada del museo.
Sun
22
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
23
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
25
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
26
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
27
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
28
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
29
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
30
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
02
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
03
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
04
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
05
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
06
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
07
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
09
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
10
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
11
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
12
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
13
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
14
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
16
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
17
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
18
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
19
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sun
20
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
21
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Wed
23
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Thu
24
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Fri
25
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Sat
26
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world.
Mon
28
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
30
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
31
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
01
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
02
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
03
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
04
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
06
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
07
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
08
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
09
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
10
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
11
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
13
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
14
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
15
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
16
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
17
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
18
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
20
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
21
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
22
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
23
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
24
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
25
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
27
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
28
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
29
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
30
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
01
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
02
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
04
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
05
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
06
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
07
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
08
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
09
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
11
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
12
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
13
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
14
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
15
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
16
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
18
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
19
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
20
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
21
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
22
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
23
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
25
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
26
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
27
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
28
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
29
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
30
A new survey of 20th-century Latin American art, based on iconic works from the museum's collection. The exhibition brings together 230 pieces by over 200 artists, and highlights the artistic and cultural richness of the modern period in Latin America, one of the best represented in the Malba Collection.
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
01
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
02
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Fri
03
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sat
04
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Sun
05
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Mon
06
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Wed
08
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.
Thu
09
Desde una singular comprensión de la herencia neoconcreta, Neto despliega sus esculturas –elaboradas con materiales como medias de poliamida, esferas de corcho blanco y especias– en grandes instalaciones inmersivas, que proponen al espectador un espacio de convivencia, pausa y toma de conciencia.
Luego de la presentación de Liminal, primera retrospectiva de Leandro Erlich en América, continúa en Malba La pileta (1999), una de las obras más reconocidas de Erlich a nivel internacional, que el artista presentó en 2001 representando a la Argentina en la Bienal de Venecia.